The Content Lawyer®

Attorney Profile


Elliott C. Alderman
The Alderman Law Office
1629 K Street, N.W.
Suite 300
Washington, DC 20006
 
 
Communication Center  
Phone: (202) 973-0188
E-mail: thecontentlawyer@verizon.net
Fax:
Web site: http://www.aldermanlawoffice.com
http://www.thecontentlawyer.com


Areas of Practice Litigation Percentage Bar Admissions
Education Published Works Affiliations

Nature of Practice:

The firm has a dynamic, sophisticated information technology and entertainment law practice, representing individuals and start-up companies, as well as large institutions. We work with songwriters, musicians, and visual and performance artists, in addition to software, multimedia and Internet companies. With extensive legislative and policy experience, we also provide lobbying and related support to institutions and industry groups. Although the firm's work involves primarily transactional, counseling and policy assistance, we also have broad litigation experience and can call upon a network of other attorneys. Finally, we have performed numerous intellectual property audits.

Examples of the types of work the firm does include: advising clients on intellectual property and entertainment issues, including consulting in multimedia, Internet and other online environments; litigating copyright, trademark and related intellectual property and commercial disputes; providing registration and enforcement advice, and obtaining and enforcing copyrights and trademarks; negotiating contracts, licenses and other documents, particularly involving entertainment, software licensing, Internet and technology transfer issues; and performing intellectual property audits for both content providers and users.

The firm strives to provide high-quality, cost-effective assistance to our clients, with the personal attention and care of a small firm and the benefits of an extensive network of relationships with other firms and attorneys. Clients receive the advantages of a seamless web of expertise in a broad range of practice areas -- including administrative law, bankruptcy, business, civil and criminal litigation, entertainment, estate planning, intellectual property, tax and telecommunications -- without the associated costs of retaining a larger firm.

Publications:

Author:

Copyright Questions, Washington Post, Outlook Section p. C6 (June 7, 1998) (GATT restoration and copyright term extension)

The Return of the Native Product: Supreme Court Will Analyze Reach of Copyright Owner's Importation Right, Legal Times Intellectual Property Supplement (March 23, 1998)

Copyright Issues: Be Careful With Older Artwork, D.C. Bar Arts, Entertainment and Sports Law Newsletter (Spring 1995)

Resale Royalties in the United States for Fine Visual Artists: An Alien Concept, 40 Journal of the Copyright Society 265 (1993) (cited in Nimmer copyright treatise) (available on WESTLAW)

Co-author:

Droit De Suite: The Artist's Resale Royalty, A Report of the Register of Copyrights (December 1992) (recipient of Special Achievement Award and cash prize for this report)

Copyright Liability of States and the Eleventh Amendment, A Report of the Register of Copyrights (June 1998) (legislation based on this report holding states liable for monetary damages in copyright infringement suits was subsequently signed into law by then President Bush)

Areas Of Practice:
Intellectual Property Law
Copyrights
Trademarks
Computer Law
Science & Technology Law
Entertainment
Sports
Litigation & Appeals
Administrative Law
Business Organizations
Litigation Percentage:
30% of Practice Devoted to Litigation
Bar Admissions:
District of Columbia, 1983
Virginia, 2004
Education:
American University, Washington College of Law, Washington, District of Columbia, 1982
J.D., Doctor of Jurisprudence
Honors: Dean's Fellow, Research--Copyright
Honors: Summer Research Assistant

Rutgers University, New Brunswick, New Jersey, 1978
B.A., Bachelor of Arts
Honors: William V. Frankel Scholar
Honors: Root-Tilden Nominee to New York University Law School
Major: English

Published Works:
Copyright Questions, Washington Post Outlook Section p. C6, (June 7, 1998)
 
The Return of the Native Product: Supreme Court Will Analyze Reach of Copyright Owner's Importation Right, Legal Times Intellectual Property Supplement, (Mar. 23, 1998)
 
Be Careful With Older Artwork, D.C. Bar Arts, Enter. and Sports Law Newsletter, (Spring 1995)
 
Resale Royalties in the United States for Fine Visual Artists: An Alien Concept, 40 Journal of the Copyright Society 265, (1993)
 
Droit De Suite: The Artist's Resale Royalty, A Report of the Register of Copyrights, (Dec. 1992)
 
Copyright Liability of the States and the Eleventh Amendment, A Report of the Register of Copyrights, (June 1998)
Professional Associations and Memberships:
District of Columbia Bar
Member
 
District of Columbia Bar
Member, Sections of Intellectual Property and Law Practice Management
 
District of Columbia
Member, Steering Committee, Law Practice Management Section
 
D.C. Computer Law Forum
Member
 
Copyright Society of USA
Member, Steering Committee, Washington Chapter
 
National Computer Law Center (online service)
Former Copyright Forum Leader
 
District of Columbia Bar
Member, Steering Committee, Arts, Entertainment and Sport Law Section
 
District of Columbia Bar
Former Chair, Music Section, Arts, Entertainment and Sport Law Section
Past Employment Positions:
Tax Analysts, General Counsel, 1999 - Present
 
Various private practice and in-house legal positions; The Alderman Law Office, Principal, 1994 - Present
 
U.S. Copyright Office, Office of the General Counsel (Recipient, Special Achievement Award), Senior Attorney, 1984-1991, 1992-1993
 
U.S. Department of Justice, U.S. Attorney's Office-Civil Division, Special Assistant U.S. Attorney, 1991-1992
 
U.S. Department of Labor, Office of Administrative Law Judges, Law Clerk to Associate Chief Administrative Law Judge G. Marvin Bober, 1982-1984
Birth Information:
October 13, 1956, New York, New York

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© 1993-2008 Elliott Alderman. All rights reserved. You may reproduce materials available at this site for your own personal use and for non-commercial distribution. All copies must include this copyright statement.